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Vilde Frang – Encores [New CD]

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Artist : Frang, Vilde
Album Name : Encores
Record Label : Wcl, Warner Classics
Genre : Classical
Title : Encores
Type : Album
Custom Bundle : No
UPC : 190295805326
Format : CD
Modified Item : No
Brand : Warner Classics
Duration : Album
gtin13 : 190295805326
Release Year : 2017
Release Title : Encores

Vilde Frang – Encores [New CD] Artist: Vilde Frang Title: Encores Condition: Format: CD Release Date: 2017 Label: Warner Classics UPC: 190295805326 Genre: Classical Album Tracks 1. La Capricciosa 2. Myrthen, Op. 25: I. Widmung 3. 2 Mazurkas, Op. 19: No. 1 in G Major, ‘Obertass’ 4. Orfeo Ed Euricide, WQ. 30: Mélodie 5. Rosamunde, Op. 26, D. 797: Ballet Music 6. Tango 7. La Plus Que Lente, L. 121: Valse 8. 10 Etudes-Caprices, Op. 10: Caprice No. 5 in E-Flat Major. Alla Saltarella 9. 12 Études, Op. 8: No. 10 in D-Flat Major 10. Rondino on a Theme By Beeethoven 11. Gypsy Caprice 12. 8 Slavonic Dances, Op. 46: No. 2 in E minor 13. Romeo and Juliet, Op. 64, Act 1: No. 12 Masks 14. Song Without Words, Op. 62 No. 1 15. Suite Española, Op. 47: No. 3 Seville 16. Estrellita 17. Calabrese, Op. 34 Vilde Frang’s Encores is more than a captivating programme of short pieces for violin and piano, it is also a homage to the players of the Golden Age of the Violin, such as Fritz Kreisler, Leopold Auer and Joseph Szigeti. The recital includes music originally conceived not just for the violin, but also for piano, orchestra or voice, and proves once again, as BBC Music Magazine wrote, that “Frang has the knack of breathing life into every note, whether by variations in phrasing, attack, tone or dynamic.” Vilde Frang has conceived the album as something of a homage to her illustrious predecessors. Born in 1986, she is clearly very much a violinist of today, and – as a Norwegian trained in Germany – she did not grow up in the Central and Eastern-European tradition of Heifetz, Kreisler, Auer and Szigeti. That being said, she brings her own, distinctively captivating magic to her instrument. As Gramophone wrote of her performance of the Korngold concerto, a work that has it’s roots in the composer’s glorious late-Romantic scores for Hollywood: “Frang has a winning way with the rubato that makes the melodies yearn and smile, but there’s a fragile thread of silver woven through her passagework that bounces off the glinting accompaniment of the Frankfurt RSO as an opalescent gown catches the light in a mirrored ballroom. Fresh thought illuminates each phrase and she has the technique to bring off every idea, from the wild caprice of the first movement’s dash to the double-bar, to a coquettish (or demure?) restraint in the finale’s big tune.” Copyright DirectToU LLC. All Rights Reserved.

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